Category: Blog Post
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The Importance of Taking a Step Back
By Kris Rubertone It’s no secret that writing in the heat of an emotional moment helps a writer understand her feelings. However, it’s only in revision that the writer can clearly gauge whether she has effectively evoked that particular emotional truth, and whether it has a similar effect on the reader. Does the language conjure…
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Yeah, I Didn’t Finish That One. It Was Too Long.
By Winnie Richards Whether it’s a novel, a poem or a news article, you can bet the longer it is, the fewer readers you’ll have. In our fast-paced, ever-changing world of technology, there is little appetite for the lengthy. Why would I read an entire news article when the headline tells me everything? Why would…
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Does Content Matter?
By Amy Middleton What convinces a reader to pick up a book? As writers, we are told that the opening line, in particular, is meant to pull them in and hopefully convince them to stay for a while. Being that it is the first thing any reader would read, it seems obvious that the opening…
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Mapping Your Way to Complex Characters
By Cerissa DiValentino The disorienting feeling you experience after finishing a novel wherein the characters feel like someone you know in real life demonstrates the power complex characters have over our emotions. As writers, we aim to immerse our readers so completely into the world we’ve created that they’re hesitant to leave it. Most importantly,…
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Writing 101 for Struggling College Students
By Savannah Lopez Have you ever compared yourself to your peers and felt discouraged? Do you sometimes find it hard to stay inspired? It’s okay, we’ve all been there. I’ve been in college for almost six years and it wasn’t until 2017 when I realized I wanted to become a creative writing major. I transferred…
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Writing as Medicine
By Ingrid Kildiss Its 3:30 pm, I’m sitting in class and my mind is racing. There are at least two more hours until my professor lets us out of class, but I can’t sit still. I’m anxious about the argument I got into with my mom this weekend, all the work I need to do,…
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Writing People We Know
By Elana Marcus In the 2015 Noah Baumbach film, Mistress America, college freshman Tracy meets her stepsister, Brooke, for the first time. Inspired by Brooke’s eccentric personality, Tracy writes a short story about her to submit to the school literary journal. After Brooke discovers the story, she is enraged. A whole interrogation scene follows where…
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The Sliding Razor: Effects of Sensory Imagery in Writing
By Shannon Magrane Sensory imagery, by definition, is an element of writing in which the five senses (sight, taste, touch, hearing, and smell) are described in order to make your readers feel what your characters are experiencing. By evoking a sensory reaction, the writer enables the reader to be part of the characters’ physical experience.…
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A Celebration and a Weight to Bear: Exploring Violence, Loss, and Culture in Tarfia Faizullah’s Registers of Illuminated Villages
By Mitchell Angelo Tarfia Faizullah is a Bengali-American award-winning poet. Her second collection of poetry, Registers of Illuminated Villages, examines violence: both personal and societal. She utilizes the confessional style to present the reader with real life challenges she has faced. Faizullah blends the philosophical with the tangible. Her work makes the reader ask questions…
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Dynamic Characters in Theatre and Writing
As a Theatre and Performance Major, I’m often asked to consider my character’s wants when playing a role. “What is my motivation?” is a question that actors pose so often that it’s parodied. But as it turns out, there’s something to this question. Actors use it to better inhabit their characters. If I can take…
