Why We Really Became Creative Writers

By Kayla Dale

I’ve had the privilege of following many talented students through years-worth of creative writing classes, and have not only created friendships, but also watched their voices blossom as writers.  I’ve read their fiction, but I have never had the opportunity to ask them the big question: “Why are you here at Purchase pursuing the Creative Writing BA?”  I applied to this program with the desire to share my personal experiences with others through fiction, adopting my own experimental writing style and unique voice that reflect the way my mind works.  I wanted to know what personal circumstances have provoked my fellow students to write, and never stop writing.   I interviewed three upperclassmen of different gender and background about why they applied to the Creative Writing Program at Purchase College.  Please note that the first two contributors, Kukuwa and Michael, are Creative Writing majors.  The third contributor, Aren, is a non-major who has, with instructor approval, designed their own curriculum and was able to take classes in the Creative Writing Program.  All of their answers are below.

 

Kukuwa Ashun, Senior:

“My love for writing stemmed from my love for books.  I used to collect so many books at a young age.  I found myself immersed in those monthly Scholastic book orders they gave us in elementary school.  Having this connection with stories at a young age encouraged me to write my own narratives and share them with other people around me.  This kind of mentality was one that my family continuously supported, and with their help, I knew I wanted to pursue my BA here at Purchase.  Participating in workshops, taking literature classes, attending readings by visiting authors, and discovering more about myself as a writer, made me not regret my decision to follow this trajectory.  I will forever be thankful for my years here.”

 

Michael Chamak, Senior:

“I’ve always liked the idea of entertaining people, especially through storytelling.  I feel like any time I can entertain someone or make them feel good is an accomplishment of which to be proud.  Throughout high school and the beginning of college I was focused on TV and film production.  As I went on, I was drawn more and more to the writing side of production.  I found that I enjoyed writing the stories much more than I enjoyed working on a set, which consists mostly of waiting, and exhausting repetition.  I’m drawn to creative writing because I prefer to tell the stories that I want to without the confines of reality. If I wanted to, I could write a story about dragon-riding aliens without having to worry about budgetary restrictions.”

 

Aren Landau, Senior:

“Ever since I can remember, I’ve been a storyteller.  That is, I’ve always known I had something to say.  When I started college, I was a BA in the Art Conservatory because I’d had many mentors who encouraged me to pursue art as a profession. The art program was excellent, but it wasn’t fulfilling my need for storytelling in the way I had hoped. Then I stumbled blindly into an intro creative writing class.  From there, creative writing evolved from a pastime, to a passion, to a career trajectory, and I have never been happier.  As a young teen fresh out of the closet, I felt there were never enough good books with lesbian protagonists. Malinda Lo was a huge inspiration to me in that regard, because she was the first author I read who combined the genre I wanted to write in(fantasy/sci-fi) with the kind of people I wanted to write about.”

POV: A Literary Choose-Your-Own-Adventure

By Jiaming Tang

Trying to decide on a narrative point-of-view can feel like trying to pick a country to vacation in. Just like how vacationers might say: “Japan is beautiful but China is cheaper,” a writer might say: “First-person constructs a colorful narrative experience, but third-person offers a more objective view of the world.” Continue reading “POV: A Literary Choose-Your-Own-Adventure”

The Right Kind of Romanticism

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By Lucas Tromblee

How many shots at writing a poem does it take be a poet? A long answer short: more than a couple. To go out in the woods with a gun doesn’t make you a hunter. Neither do deer head mounts on your wall. A hunter is what he claims to be in a few short, definitive moments. Those are the analogous moments when the poet is writing a poem. So much discussion around poetry has so little to do with writing it. Writing it is what matters. Whether you’re a poet before or after is just semantics. Continue reading “The Right Kind of Romanticism”

The Transformation of the Fairy Tale

By Cody La Vada

In 1979, British novelist Angela Carter forever changed the model of the fairy tale with the publication of her short fiction collection, The Bloody Chamber and Other Stories, which contains ten reworkings of classic tales ranging from a novella-length piece inspired by the “Bluebeard” story to a micro-fiction piece that barely adds up to five hundred words based on an obscure variation of the “Snow White” tale. The anthology was revolutionary at the time of its publication because it reimagined traditional and beloved stories through a modern lens. Most notably, the collection remains a pivotal part of English literature because of Carter’s depiction of women; rather than playing into the tired tropes of female heroines in fairy tales as weak, or fragile, Carter creates dynamic young women navigating the complexities of adulthood. By drawing on and subverting the archetypes and motifs of classic fairy tales, Carter manages to both reflect the macabre undertones of the original works that inspired her, and the relevance of the stories in modern times. Continue reading “The Transformation of the Fairy Tale”

Beyond the Pronouns: Point of View in Prose

By Molly McNally  

Before the setting, before the characters, before rising action and conflict and resolution, a writer is faced with the question: from what point of view should the story be told? A writer can use the first person (the “I” who speaks), second person (the “you” who the piece addresses), or third person (the “him/her/they”). They can narrate through an omniscient voice that can see everything existing in the world of the story, a limited voice that is contained to the mind of one or a few characters, or an objective voice that never delves into the interiority of characters, but only describes actions and objects. Point of view, however, can affect more than just pronouns. A biography written in second person would make the reader, rather than the historical figure, the subject of the piece. A memoir written in third person would detach the reader from the personal aspect of the writing. How much distance does the reader need from the piece – should they be in the thick of the action or an observer? Point of view may seem like a simple enough choice, but there are so many nuances to that choice, which can change its very meaning. Continue reading “Beyond the Pronouns: Point of View in Prose”

The Evolution of The Martian

By Zoe Nathan

When people think of books, they think of bookstores, libraries, and even school textbooks. All of these books went through different publishing houses and had many people working on them, advertising them, making sure everything was just as it should be before the book made it onto a bookstore shelf to be judged by the general public. A lot of people think that this is the only way to get a piece of writing out into the world, but some novels have humbler origins. Continue reading “The Evolution of The Martian”

Agents: An Encouraging Word of Advice

By Jonathan Hernandez

The aspiring writer faces many challenges. First, we must slay that fearsome foe – the blank white page. Then, we have to polish our rough work with many vigorous hours of revision, submit it to brutal workshops, and subject it to exhaustive rounds of editing. Now you have a gem that you want to sell, where do you start?bigstock-Student-Overwhelmed-Asking-For-54688436

For those of us not up to speed on all the ins and outs of the literary world, this might seem daunting. Many hopeful authors have fallen prey to boogeymen like false agents. But knowledge is our best ally against their best-laid schemes. Luckily, in the age of global communication and information, it’s possible for us to reap the wisdom and experiences of others. And also remember, sometimes your gut is right. If it feels too good to be true, it probably is. Continue reading “Agents: An Encouraging Word of Advice”